Coloring the Past

Coloring the Past: Bibliography

Alberge, Dalya. November 24, 2013. “Light Projections Set to Recreate Vibrant Colours on Ancient Cathedrals.” The Observer, sec. Art and design. https://www.theguardian.com/artanddesign/2013/nov/24/monastry-sculpture-amiens-cathedral.

Bond, Sarah. April 2017. “Whitewashing Ancient Statues: Whiteness, Racism And Color In The Ancient World.” Forbes. https://www.forbes.com/sites/drsarahbond/2017/04/27/whitewashing-ancient-statues-whiteness-racism-and-color-in-the-ancient-world/

———. April 2017. “The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics.” History From Below (blog). https://sarahemilybond.com/2017/04/30/the-argument-made-by-the-absence-on-whiteness-polychromy-and-diversity-in-classics/

———.  June 2017. “Why We Need to Start Seeing the Classical World in Color.” Hyperallergic. https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/.

Bradley, Mark. 2009. “The Importance of Colour on Ancient Marble Sculpture.” Art History 32.3: 427–57.

Brinkmann, Vinzenz. 2017. “A History of Research and Scholarship on the Polychromy of Ancient Sculpture.” In Gods in Color: Polychromy in the Ancient World, edited by Vinzenz Brinkmann, Renée Dreyfus, and Ulrike Koch-Brinkmann, 13-25. New York: Fine Arts Museums of San Francisco, Legion of Honor DelMonico Books, Prestel.

———. 2008. “The Polychromy of Ancient Greek Sculpture.” In The Color of Life: Polychromy in Sculpture from Antiquity to the Present, edited by Brinkmann, Vinzenz, J. Paul Getty Museum, Jan Stubbe Ostergaard, Marco Collareta, and Alex Potts, 18-39. Getty Publications: Los Angeles.

Brinkmann, Vinzenz and Ulrike Koch-Brinkmann. 2017. “On the Polychromy of Ancient Sculpture.” In Gods in Color: Polychromy in the Ancient World, edited by Vinzenz Brinkmann, Renée Dreyfus, and Ulrike Koch-Brinkmann, 27-51. New York: Fine Arts Museums of San Francisco, Legion of Honor DelMonico Books, Prestel.

———. 2008. “On the Reconstruction of Antique Polychromy Techniques.” In Circumlitio: The Polychromy of Antique and Mediaeval Sculpture, edited by Vinzenz Brinkmann, Oliver Primavesi, and Max Hollein, 114-135. Schriftenreihe Der Liebieghaus-Skulpturensammlung, Frankfurt Am Main. Munich: Hirmer.

Brinkmann, Vinzenz, Koch-Brinkmann, Ulrike, and Heinrich Piening. 2017. “Ancient Paints and Painting Techniques: Methods of Investigation.” In Gods in Color: Polychromy in the Ancient World, edited by Vinzenz Brinkmann, Renée Dreyfus, and Ulrike Koch-Brinkmann, 87-97. New York: Fine Arts Museums of San Francisco, Legion of Honor DelMonico Books, Prestel.

Brinkmann, Vinzenz, Primavesi, Oliver, and Max Hollein. 2010. Circumlitio: The Polychromy of Antique and Mediaeval Sculpture. Schriftenreihe Der Liebieghaus-Skulpturensammlung, Frankfurt Am Main. Munich: Hirmer.

Brøns, Cecilie. 2020. “Ancient Colours: Perspectives and Methodological Challenges.” In The Value of Colour: Material and Economic Aspects in the Ancient World, edited by Shiyanthi Thavapalan and David A. Warburton, 311-337. Berlin Studies of the Ancient World. Berlin: Edition Topoi.

———. “Sensing the Ancient World: Ancient Polychromy at the Ny Carlsberg Glyptotek Carlsbergfondet.”https://www.carlsbergfondet.dk/da/Forskningsaktiviteter/Forskningsprojekter/Andre-forskningsprojekter/Cecilie-Broens_Sensing-the-Ancient-World

———. 2020. “Ancient Colours: Perspectives and Methodological Challenges.” In Value of Colour. Material and Economic Aspects in the Ancient World, 311–32. Berlin Studies of the Ancient World 70. Berlin: Edition Topoi. 

Campbell, G. 2007. “Stele.” In The Grove Encyclopedia of Classical Art and Architecture. Oxford University Press.

Carpenter, Rhys. 1929. “The Sculptural Composition of the Nike Parapet.” American Journal of Archaeology 33.4: 467–83.

Davis, Ben. March 2017. “White Nationalism’s New Love of Art History, Decoded.” Artnet News. https://news.artnet.com/art-world/identity-evropa-posters-art-symbolism-881747.

Dinsmoor, William Bell. 1926. “The Sculptured Parapet of Athena Nike.” American Journal of Archaeology 30.1: 1–31.

Dyer, Joanne, and Sophia Sotiropoulou. 2017. “A Technical Step Forward in the Integration of Visible-Induced Luminescence Imaging Methods for the Study of Ancient Polychromy.” Heritage Science 5: 24.

Feller, Robert, L. 1986. Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 1. Vol. 1. National Gallery of Art. https://www.nga.gov/research/publications/pdf-library/artists-pigments-vol-1.html.

Felsen, Matt and Chester Dale. 2015. “Color The Temple: Using Projected Light to Restore Color.” The Metropolitan Museum of Art. Accessed June 15, 2020. https://www.metmuseum.org/blogs/digital-underground/2015/color-the-temple.

Full Frontal with Samantha Bee. 2019. White at the Museum | April 3, 2019 Act 3 | Full Frontal on TBS | Full Frontal on TBS. Accessed May 26, 2020. https://www.youtube.com/watch?v=TkwUCUwt3Rs.

Giacobello, F. “Relazione di Restauro.” Restituzioni. http://www.restituzioni.com/opere/stele-funeraria-detta-stele-borgia/.

———. “Stele funeraria detta ‘Stele Borgia.’” . http://restituzioni.marsilioeditori.it/2013/.

Goldstein, Story by Rebecca Newberger. April 2017. “Making Athens Great Again.” The Atlantic. https://www.theatlantic.com/magazine/archive/2017/04/making-athens-great-again/517791/.

Hanfmann, G. 1976. “On Lydian and Eastern Greek Anthemion Stelai.” Revue Archéologique: 11.

Harrison, E.B. 1956. January. “Archaic Gravestones from the Athenian Agora.” Hesperia 25 1: 25.

———. 1965. “Archaic and Archaistic Sculpture.” The Athenian Agora 11: iii.

Kazhdan, A., and N.P. Ševčenko. 2005. “Chlamys.” In The Oxford Dictionary of Byzantium. Oxford University Press. http://www.oxfordreference.com/view/10.1093/acref/9780195046526.001.0001/acref-9780195046526-e-1021.

Kennedy, Rebecca. May 11, 2017. “We Condone It by Our Silence: Confronting Classics’ Complicity in White Supremacy”, Eidolon.

Koch-Brinkmann, Ulrike, Piening, Heinrich., and Vinzenz Brinkmann. 2014. 2014. “Girls and Goddesses.” In Transformation: Classical Sculpture in Colour, edited by Jan Stubbe Ostergaard and Anne Marie Nielsen, 116-139. Copenhagen: NY Carlsberg Glyptotek.

———. 2014. “On the Rendering of Human Skin in Ancient Marble Sculpture” in Transformation: Classical Sculpture in Colour, edited by Jan Stubbe Ostergaard and Anne Marie Nielsen, 140-151. Copenhagen: NY Carlsberg Glyptotek.

Lang-Auinger, C., and E. Trinkl, eds. 2016. Corpus Vasorum Antiquorum, Österreich, Beiheft 2: ΦϒТА ΚΑΙ ΖΩΙΑ. Pflanzen und Tiere auf griechischen Vasen. 1st ed. Verlag der österreichischen Akademie der Wissenschaften.

Lapatin, Kenneth D. S., Eike D. Schmidt, Roberta. Panzanelli, and J. Paul Getty Museum. 2008. The Color of Life: Polychromy in Sculpture from Antiquity to the Present. Los Angeles: J. Paul Getty Museum : The Getty Research Institute.

McCoskey, Denise Eileen. August 2018.  “Beware of Greeks Bearing Gifts: How Neo-Nazis and Ancient Greeks Met in Charlottesville | Origins: Current Events in Historical Perspective.”  http://origins.osu.edu/article/beware-greeks-bearing-gifts-how-neo-nazis-and-ancient-greeks-met-charlottesville

Mackrandilal, Maya. November 17, 2017. “The Aesthetics of Empire: Neoclassical Art and White Supremacy.” Contemptorary (blog). http://contemptorary.org/the-aesthetics-of-empire-neoclassical-art/.

Mark, Ira S., Machteld J. Mellink, and James R. McCredie. 1993. “The Sanctuary of Athena Nike in Athens: Architectural Stages and Chronology.” Hesperia Supplements 26: i–185.

Morse, Heidi. “Classics and the Alt-Right: Historicizing Visual Rhetorics of White Supremacy – Learn Speak Act.” https://sites.lsa.umich.edu/learn-speak-act/2018/02/15/classics-and-the-alt-right/.

Müller, K. 1922. “Die Lyseasstele.” Archäologischer Anzeiger Beiblatt zum Jahrbuch des Deutschen Archäologischen Instituts. 37:1-3.

Ostergaard, Jan Stubbe. 2018. “Polychromy, Sculptural, Greek and Roman.” Oxford Research Encyclopedia of Classics. Oxford University Press.  

Østergaard, Jan Stubbe, Anne Marie Nielsen, Neil Martin Stanford, and Ny Carlsberg glyptotek. 2014.  Transformations: Classical Sculpture in Colour. Meddelelser Fra Ny Carlsberg Glyptotek; Ny Serie Nr. 16. Copenhagen, Denmark: Ny Carlsberg Glyptotek.

Pantzanelli, Roberta. 2008. “Beyond the Pale: Polychromy and Western Art.” In The Color of Life: Polychromy in Sculpture from Antiquity to the Present, edited by Brinkmann, Vinzenz, J. Paul Getty Museum, Jan Stubbe Ostergaard, Marco Collareta, and Alex Potts, 2-17. Getty Publications: Los Angeles.

Papapostolou, J.A. 2002. “Color in Archaic Painting.” In The Role of Color in Ancient Greek Art and Architecture, 700-31 B.C. edited by M.A. Tiverios and D.S. Tsiafakis, 53-64. Aristotle University of Thessaloniki and Lambrakis Research Foundation. Thessaloniki.

Petrakova, A. 2015. “The Emotional Dog in Attic Vase-Painting:: Symbolical Aspects and Instrumental Narrative Function.” In Corpus Vasorum Antiquorum, Österreich, Beiheft 2, edited by Claudia Lang-Auinger and Elisabeth Trinkl, 291–298. 1st ed. ΦϒТА ΚΑΙ ΖΩΙΑ. Pflanzen und Tiere auf griechischen Vasen. Austrian Academy of Sciences Press.

Pollitt, J. J. 2002. “Color in Archaic Painting”, in Tsiafakis, Despoina. 2002. The Role of Color in Ancient Greek Art and Architecture, 700-31 B.C. In The Role of Color in Ancient Greek Art and Architecture, 700-31 B.C. edited by M.A. Tiverios and D.S. Tsiafakis, 1-8. Aristotle University of Thessaloniki and Lambrakis Research Foundation. Thessaloniki.

Richter, G.M.A. 1961. The archaic gravestones of Attica. With 216 illus., including 108 from photos. New York: Phaidon Publishers; distributed by New York Graphic Society, Greenwich, Conn.

Ridgway, Brunilde Sismondo. 1999. “How: The Role of Color”, in Prayers in Stone: Greek Architectural Sculpture ca. 600-100 B.C.E. Sather Classical Lectures; v. 63. Berkeley: University of California Press.

Robinson, E. 1913. May. “An Archaic Greek Grave Monument.” The Metropolitan Museum of Art Bulletin 8.5: 94.

Rose-Greenland, Fiona. 2016. “Color Perception in Sociology: Materiality and Authenticity at the ‘Gods in Color’ Show.” Sociological Theory 34.2: 81–105.

Schultz, Peter. 2001. “The Akroteria of the Temple of Athena Nike.” Hesperia: The Journal of the American School of Classical Studies at Athens 70.1: 1–47.

Sharp, Sarah Rose. April 3, 2019. “Colors of the Ancient Mediterranean in Vivid Dimensions.” 2019. Hyperallergic https://hyperallergic.com/490864/the-colors-of-the-ancient-mediterranean-in-vivid-dimensions/.

Simon, Erika. “An Interpretation of the Nike Temple Parapet.” Studies in the History of Art 49 (1997): 126–43.

Siotto, Eliana, Marco Callieri, Matteo Dellepiane, and Roberto Scopigno. 2015. “Ancient Polychromy: Study and Virtual Reconstruction Using Open Source Tools.” Journal on Computing and Cultural Heritage 8.3: 16.1-16:20. https://doi.org/10.1145/2739049.

Skovmøller, Amalie. 2014. “Where Marble Meets Colour: Surface Texturing of Hair, Skin and Dress on Roman Marble Portraits as Support for Painted Polychromy.” In Greek and Roman Textiles and Dress, edited by Mary Harlow and Marie-Louise Nosch, 279–97. An Interdisciplinary Anthology. Oxbow Books. 

Staff, Lloyd Lee |. 2017. “Deconstructing Monochronism in ‘Gods in Color: Polychromy in the Ancient World.’” The Daily Californian. October 30, 2017. https://www.dailycal.org/2017/10/30/gods-color-polychromy-ancient-world-legion-of-honor/. 

Stewart, Andrew F.  1985. “History, Myth, and Allegory in the Program of the Temple of Athena Nike, Athens.” Studies in the History of Art 16: 53–73.

Talbot, Margaret. Oct. 2018. “The Myth of Whiteness in Classical Sculpture.” The New Yorker. https://www.newyorker.com/magazine/2018/10/29/the-myth-of-whiteness-in-classical-sculpture.

Thompson, H.A. 1949. “An Archaic Gravestone from the Athenian Agora.” Hesperia Supplements 8: 373–488.

 Verri, Giovanni, Thorsten Opper, and Thibaut Deviese. 2010. “The ‘Treu Head’: A Case Study in Roman Sculptural Polychromy.” The British Museum Technical Research Bulletin 17: 39-54.

Vice News. Why Ancient Marble Statues Aren’t Meant To Be Seen As “White” (HBO). n.d. Accessed June 11, 2020. https://www.youtube.com/watch?v=86PD8o6xe_4.

Walter-Karydi, E. 2002. “Color in Classical Painting”, in Tsiafakis, Despoina. 2002. The Role of Color in Ancient Greek Art and Architecture, 700-31 B.C. In The Role of Color in Ancient Greek Art and Architecture, 700-31 B.C. edited by M.A. Tiverios and D.S. Tsiafakis, 75-88. Aristotle University of Thessaloniki and Lambrakis Research Foundation. Thessaloniki.

Webb, E. Keats, Summerour, Rebecca and Jennifer Giaccai. 2014. NMAI Archaeological Peruvian Textiles: Imaging & Analysis for Pigment Identification & Elucidation of Manufacture. Smithsonian Museum Conservation Institute. https://www.si.edu/MCIImagingStudio/PeruvianTextiles

 Young, Yael. 2015. “Binding, Loosening, or Adjusting her Sandal?: On Nike from the Parapet of the Athena Nike Temple.” Source: Notes in the History of Art 34.4: 2–9.

“Alxenor Stele | Museum of Classical Archaeology Databases.”. https://museum.classics.cam.ac.uk/collections/casts/alxenor-stele.

“Grave Stele of Lyseas”.  http://www.perseus.tufts.edu/hopper/artifact?name=Athens%2C+NM+30&object=Sculpture